HSL Key is to use the parameters set for Hue, Saturation, and Lightness to select a specific area of the image to then modify using the controls in the lower half of that tab. shadows & highlights affect way up/down the line there. In Final Cut Pro, you can automatically balance a clip’s color, adjust a clip’s white balance, and match color between clips. These divisions are finer than the shadows/highlights ones in the Basic tab. you've got three segments, Shadows, Mids, Highlights, with separate controls for Luma (the vertical sliders for brightness) and Chroma (the balls or wheels for pushing/pulling color). The histogram provides a statistical analysis of the image by calculating the total number of pixels of each color or luma level and creating a graph that shows the number of pixels at each percentage of luma or color. Use the Apple Color Picker to set the white balance temperature. White Balancer can only be installed via FxFactory. White-balancing an image removes color casts and ensures that white objects in the image appear white. Or just bringing the blue white-point down.Ĭolor wheels allows for a finer control for something like the Curves tab. Histogram display options in Final Cut Pro for Mac. The latest version of White Balancer is 2.0.3. Manually white-balance clips in Final Cut Pro for Mac. For more details and methods, see Add color correction effects in Final Cut Pro for Mac. Fine-tuning of the shadow roll-off, perhaps. Click the pop-up menu at the top of the Color inspector, then do one of the following: Add a new instance of the Hue/Saturation Curves effect: Choose Hue/Saturation Curves from the Add Correction section at the bottom of the menu. There are four ways to balance color in Final Cut Pro. You could say its a mini-correction or starting point for non-colorist video editors. not necessarily refined.Ĭreative allows for a few mods to the above.Ĭurves allows a different tool to affect the shape of the signal up and down the scopes. Balance color is not considered a color correction in Final Cut Pro as it doesnt show up as a color correction in the Inspector. easier.īasic tab is primarily designed for "neutralizing" a clip, getting a base white balance, white/black points, shadow/highlight placement, and saturation. Learn as Master Bill explains the basic technique used for. Within the Lumetri panel, the different tabs have different controls for doing the different tasks a bit. Master broadcast editor Bill Cammack teaches us and Matt how to match color hue in Final Cut Pro.
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